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Elwendin   Mar 25, 2014   , , Comment News Articles

mikbreak

2014. March is already coming to an end. What can a tall, skinny popstar do in a few months? Apparently he had a pretty busy schedule. Here’s a sneak peek on what he let us know through Twitter:

After a little skiing in a very very dark suit, he went to Milan (interview at “Le Invasioni Barbariche”), popped out in Paris for recording The Voice and visiting one of his favourites shops, flew in Cambodia for a one week holiday, then back to London. And this was just January.

Ingrid   Feb 26, 2014   Comment Uncategorized

Next year Mika will be performing in Montreal with the Montreal Orchestra. More information will be released next week.

Mika says:

“VERY excited to announce my collaboration for next year with the Montreal Symphony Orchestra, full orchestral concert in Feb 2015. It’s a huge honour, here is an early piece from La Presse (in French), more details next week, we are aiming at doing something amazing”

Ingrid   Jan 30, 2014   1 Comment Uncategorized

Mika recently tweeted:

“1st day back in the studio. Aller aller!”

Let’s hope this will be the start of a great new album with a lot of new music!

Ingrid   Jan 17, 2014   Comment Videos

Ingrid   Jan 16, 2014   Comment Uncategorized

Ingrid   Jan 9, 2014   Comment Media


Mika pubblicità gennaio 2014 door mari62

Ingrid   Dec 31, 2013   Comment Uncategorized

We would like to wish all Mika fans a fantastic new year! May it be filled with music, friends, fun, joy and health and we hope that 2014 will be even more awesome than 2013 was!

Love,

MF.net staff

Ingrid   Dec 16, 2013   Comment Uncategorized

It happened at the red carpet of the Grammys a couple of years ago. I had been nominated for best dance song for Love Today, much to my own confusion, as I never considered Love Today to be a dance song at all, but I went to the ceremony and was sent down the red carpet of doom, giving interviews and polite little nods to each media post as I walked by. Finally I came across a very excited and warm journalist from a mainstream entertainment network. Broadcasting live, he grabbed me, explaining that he loved the song but couldn’t figure out what it was about. «Its about an old depressed prostitute I used to see every night at 3am» I said. «She never got work and was crippled with a heroin addiction spiralling out of control». The journalist froze with lips curled, my publicist plunged her face in her hands and the interview was cut. The interviewer squinted his eyes angrily, «way to murder the vibe on live family TV dude». I was sent off and not asked back again. When asked why I had said what I said by my team, I told them I was here because of that unmentionable hooker. I owed her the mention and that she gave me more than this chicken run of press ever would. Her name was Carolina.

I met Carolina in my early twenties in Miami. At the time, my collaborator Jodi Marr and I would beg and borrow studio hours wherever we could get them. In exchange, we would lend our voices to bad Latin pop records or Jodi would translate lyrics. We were prostituting ourselves for studio time and for a way out of obscurity. We were making my first demos and money was non existent. This meant we often got the studios after normal working hours, from 7pm to 2am. Unable to drive, Jodi would pick me up and drop me off at a gas station in North Miami where I would then be collected by my sister or a friend. Carolina was always there waiting for customers. I quickly realised this wasn’t such a good thing as it meant she wasn’t getting work, which wasn’t surprising as she was passed it and not in good health. I became fascinated by her, but mostly fascinated by her incredible strength. One day she disappeared and I never saw her waiting there again. The song just happened. I didn’t plan it or think it particularly clever, but I wrote it for her.

What is it about the oldest profession in the world and the arts? Musicians, writers and painters have been inspired and fascinated by prostitutes and courtesans for thousands of years. The works have been displayed in palaces, cathedrals and the songs have even been played at weddings. Places where the people that inspire them would not always be welcome. From The Police’s Roxanne to Guercino’s Mary Magdalene, Degas and Manet’s female portraits, La Traviata and Anna Karenina, all have used the moral quandary of sex versus profit as their springboard. To me it is actually the courage that it takes to engage in a meretricious relationship that is fascinating and admirable. Buddhists believe in the separation of the mind and the body which would imply that prostitution of the mind is far more questionable and dangerous. In a capitalist society we regulate “the mind” by regulating peoples actions and transactions. It seems a logical extension to regulate prostitution. The exploitation and suffering would be aided by decriminalising and supporting those working in the industry.

The finest prostitution pop song of them all has to be Killer Queen written by Freddie Mercury. In his own words which I truly believe in he said that «We are all musical Prostitutes my dear». Indeed Freddie we are, however Churchill wasn’t afraid to get his hands a little more dirty. At a high class party Churchill famously asked a socialite if she would sleep with him for five million pounds. Blushing, she replied that the terms would have to be discussed. He then asked her if she would sleep with him for 5 pounds. «Mr Churchill! What kind of woman do you think I am!» she replied. «Madam, we’ve already established what kind of woman you are. Now we are haggling about the price». God, we could use a leader like him again today.

Source

Ingrid   Dec 14, 2013   Comment Uncategorized

Ingrid   Dec 12, 2013   Comment News Articles

Yesterday, Mika gave a lecture at a university in Milan about marketing and music. There is not much video footage, but there is a transcript available: Click here to read it. For the Italian version click here.